
Plans for La Cuadra San Cristóbal by Luis Barragán introduced
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Architect Fernando Romero has been shaping the way forward for Latin American structure for 20 years. His namesake agency (previously FR-EE) and London-based Foster + Companions labored on a design for the New Worldwide Airport Mexico Metropolis; he crafted a gilded imaginative and prescient of Bitcoin Metropolis for the president of El Salvador; and he designed Museo Soumaya – the gleaming, dramatic museum named for each his spouse and mother-in-law on the time, and commissioned by billionaire businessman Carlos Slim. As of late, nonetheless, he’s wanting on the previous, to Luis Barragán’s iconic and chromatic Cuadra San Cristóbal.
Architect Fernando Romero
(Picture credit score: Yannick Wegner, courtesy of Fundación Fernando Romero)
La Cuadra San Cristóbal: the previous, current and way forward for a Luis Barragán-designed icon
His fascination with the equestrian property northeast of Mexico Metropolis isn’t nostalgic. Romero has a eager curiosity in how Mexican modernist structure may be preserved and made related for generations to come back. He has plans to remodel Barragán’s masterpiece right into a cultural useful resource for artwork and structure, open to the general public, by means of his non-profit organisation, Fundación Fernando Romero.
Romero is a part of a post-OMA technology of worldwide designers who minimize their enamel below the tutelage of Rem Koolhaas. His studio makes use of superior computational software program to create wildly sculptural types that will have mystified Barragán, whose personal structure depends on an alchemy of saturated color and light-weight. And but, at 54, Romero is sufficiently old to have lived by means of the later a part of Mexico’s trendy heyday. His affection for the interval exhibits in his selection of workplace area, a midcentury residence subsequent door to Casa Luis Barragán, the architect’s house and studio inbuilt 1948 – and a Unesco World Heritage web site.
(Picture credit score: Yannick Wegner, courtesy of Fundación Fernando Romero)
‘I used to be only a child, however a half century in the past we had been in a position to stroll on the street with no safety, no site visitors. And at this time, that’s not the case in Mexico,’ says Romero. ‘We live in very complicated instances, filled with contrasts, filled with contradictions, filled with issues and challenges.’ For him, an curiosity in modernism is an affirmation of that earlier second. ‘I really feel virtually a accountability to attempt to save La Cuadra and to share with the world the work of a grasp of structure.’
In Mexico, most preservation efforts are targeted on archaeological websites and Spanish Colonial buildings, nonetheless most of the nation’s Twentieth-century nice works of structure are of an age the place they may want conservation, care, and a legacy plan in an effort to guarantee they continue to be intact. Furthermore, the earthquakes in 2017 and 2022 broken quite a few buildings in Mexico. Some had been demolished, some retrofitted, and for others, their fates stay unsure. On this context, Romero’s enthusiasm to guard Barragán’s work is well timed and obligatory.
(Picture credit score: Yannick Wegner, courtesy of Fundación Fernando Romero)
Romero’s personal 1955 house is by architect Francisco Artigas. Artigas labored in LA-architect Richard Neutra’s workplace, his design of a glassy L-shaped construction wrapped round a courtyard reflecting pool epitomises the easy move of inside and out of doors frequent to California and Mexican modernism. Fashions of FR-EE’s designs fill the bottom flooring, together with a half-dozen devoted to schemes for the forthcoming campus at La Cuadra.
Barragán constructed the property between 1966 and 1968 for the Egerström household, after having met Swedish businessman Folke Egerström on the close by using membership. The architect and his consumer had been each equestrians and the property displays their horsey ardour. At greater than seven acres, the enclave consists of the residence, horse stables, and the well-known horse pool with its pink, trough-like fountain. The remaining is panorama.
(Picture credit score: Yannick Wegner, courtesy of Fundación Fernando Romero)
At one time this space was rural. Barragán developed two subdivisions, Los Clubes and Las Arboledas, as enclaves that built-in artifical and pure environments. At the moment, La Cuadra is an island of inexperienced surrounded by dense, suburban housing.
Romero started discussions with its proprietor a couple of years again, wanting to remodel the house right into a home museum to keep away from builders buying the property. As such, he tasked himself with a rescue mission to keep up Barragan’s late work. The plan is for the compound to guard the architectural masterpiece whereas remodeling it right into a hub for creativity. Plans are for the location to completely open to guests in October 2025, though a fortunate few who’re on the town for Zona Maco 2025 can catch an early preview because the area will play host to an artist expertise with Marina Abramović from 5-9 February 2025.
(Picture credit score: Yannick Wegner, courtesy of Fundación Fernando Romero)
Design studio Pentagram developed a model id for Cuadra that does justice to Barragán’s legacy. The design centres round a typeface drawn from the ironwork letters that grace the constructing’s exterior wall and incorporates a color scheme of Mexican pink, mid-pink, gentle pink and black.
Finally, over a projected ten-year interval of growth, the campus will embrace a everlasting exhibition devoted to the life and work of Luis Barragán, an artist residency programme, a gallery devoted to the show of the Archivo Assortment of design objects, further galleries, a sequence of short-term, site-specific installations, a podcast manufacturing studio, a library, a multi-purpose occasion venue, and a present store and a espresso store.
(Picture credit score: Yannick Wegner, courtesy of Fundación Fernando Romero)
The primary section, upon the official opening in autumn, will see the launch of the everlasting exhibition on Barragán, curated by Jorge Covarrubias. A sequence of further areas and pavilions by internationally acclaimed architects – together with a timber pavilion designed by Kengo Kuma – will comply with. As a part of Section 2 of the grasp plan, Romero is in discussions with Tadao Ando, Bjarke Ingels and 2025 RIBA Gold Medal winners SANAA. It’s early days however there may be excessive ambition for this to develop right into a multi-layered cultural campus – watch this area.